react is split secs first record of 2015 and the years first release from the la duos machine limited imprint. composed of alexandre mouracade a.k.a sonns and travis kirschbaum (tk disko), split secs has put out material on labels such as throne of blood, kompakt, and jolly jams.

velly joonas is a mysterious singer, who once wanted to become a soul singer, but later choose folk music instead. frotee has released two recordings of cover versions from estonian radio archives, both tracks have estonian lyrics written by herself. in 1983, she recorded an incredible version of i see red. few years earlier she recorded lovely version of classic feel like makin love-. both previously unreleased, now available on 7inch single!

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

the third release offers more raw and stomping pieces of techno. this time two artists show there special definition of sound. the ep is splited like two faces. mason rent and joseph mcgeehan at its best!

• run out run delivers yet another transatlantic link-up !
• one half of hermans, jerry riggs brings a healthy four tracker with two mike davis (brenda, berlin) collaborations
• hand stamped manila jacket

old europe in turmoil. muddy waters and broken bones. two sonic comments on a moral crisis, straight from the heart of belgrade. raum.null, belgrade dubs 02, black vinyl, 180g.

phantasy are proud to present their 50th release. with two years having passed since 2013’s hugely acclaimed drone logic, daniel avery returns to phantasy to offer a much anticipated taste of his restless studio experimentation. the vinyl release includes a download code.
attention: small fault on a-side in the whole pressing, causes crackling noise for a few seconds.

we are proud to present a new addition to the zhark artist roster. sourced directly from his recent live performance in leipzig at ifz (alongside zhark label head kareem). we have two sonorous cuts of deepest ritualistic electronics from the uncompromising manchester based artist, casual violence. possibly his deepest released work to date which furthermore exemplifies his outstanding musical versatility.
- anabiosis (plural anabioses):
1. a state of suspend animation, especially during extreme conditions, the act of recovering from this state

repress! neovinyl recordings proudly presents the next work from his homeboy maik yells. a masterpiece released in vinyl only, that moves forward his sound to make a brutally simplistic approach to a beat techno. this ep is composed by two tracks driven by heavy sounds balanced with beautiful catchy pads, but remember… everything mixed with a heavy emphasis on the groove. this is maik yells. direct from barcelona we have the spanish upcoming duo signal’ on the remix for the track asmodea, making clear that they how they can build a gem out of a repetitive backbone.

we are delighted to make such a forward thinking and polished addition to our sonic arsenal with these 2 brands new studio productions from peppelino. varying from the intelligent techno sounds of unope , to the raw techno beats of carbotic , both two titles are aimed squarely at the dance floor.

out of a mood and while repairing one of his 303 basslines, heckmann just recorded two acid-house tracks on the fly and live in his studio !! the result is now presented on this very limited red vinyl afuxtra release !!!

tvir is a vinyl only label based in ukraine. translated from ukrainian tvir means composition. our third ep comes from amin ravelle. on a-side we have two original works, truly deep atmospheric sounds with aquatic minimal house rhythms, perfect for afterhours. b-side includes remixes from ztrl, a hypnotic version with some groovie pad lines perfectly combined with elements of the original track. mariin s versions showcases a strong beat with powerful bass lines, a real dancefloors killer. the artwork for the ep is inspired by ukrainian folklore influences.

vsa records debuts with the two label founders - vinyl speed adjust - forefronting two monster acid cuts - the a side -lost and found-, makes due with some very intriguing bassline rhythms, melodies, vocal chants and breaky hi-hat patterns whilst the b side - -black and white-, seemingly continues the idea, retaining the specific roland sound, but in a much more industrial techno fashion, with a more obvious kick drum and looped out rhythms. vinyl only.

ltd nice price , last copies left ...crosstown rebels continue to demonstrate their incredible aptitude for astute and diverse a & r by unveiling one seven six and their first release islands in the sky, a carefully concocted blend of organic electronica oozing with pop sensibility and two killer brennan green remixes

this project is a long distance collaboration between two amazing artists: andrea noce and david kristian during the year 2013. each track have been made after set up basic guidelines (style, tempo, structure, and workflow).

winter 2015 is here and drumcode continues to release the hottest new tracks that make waves within the techno community. releasing tracks from artists such as adam beyer, alan fitzpatrick, joseph capriati, maceo plex, luigi madonna, ida engberg, joel mull, sam paganini, harvey mckay and dubspeeka.
moving into the latter stage of 2015, drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout heading into 2016. steve rachmad is a name familiar to everyone within the electronic music scene. he has been a big part of the scene for over two decades and boasts a whole host of records and shows.
he has been remixed by the likes of ricardo villalobos, joris voorn and more. rachmad is now hosting his own studio 80 based club night kis where he plays mesmerising extended sets. steve rachmad is welcomed to the vinyl-only offshoot drumcode limited. disturbance is a punchy little number that has a stuttering synth that rises over the top of the pounding kick drum. steps takes it up a notch with a simplistic bleep pattern that modulates throughout that is awash with a throbbing undercurrent.

vent moves closer to its initial tenet: the love for raw and unsullied techno. miss sunshine returns to vent and brings home two strikingly forceful tracks, with cindy adding to the arsenal with her characteristic grit, and thus the circle is complete as stripped back yield of high grade techno on all cuts.

on his first release for droid recordings, master sound technician brian sanhaji drops two hard, gritty tracks. a1, * macronomena* , is an unmissable, surprising thrill. a filthy, grainy bass synth gets mangled by filters and lfo, pushed out of time, and forced back into a perfect, funky lock with the pummeling beat. nearly five minutes in, the machine breaks down and falls apart, only to slam back into groove with new, jack-oriented elements. b2, * synphone*, plays things straighter, manipulating the optimal gears and levers of the techno toolkit for an undeniable dance floor mover.

solimano returns to his unlock recordings imprint with two mellow house cuts, featuring a pair of imaginative reinterpretations from fellow argentinean’s barem and deep mariano. originally established to promote latin american productions in 2004, unlock recordings has since hosted the likes of jorge savoretti and guti. its founder, gonzalo solimano, has proven himself time again as a label owner, dj and producer, working as a ‘mr. x’ at red bull academy for almost ten years when not performing at the likes of creamfields buenos aires, south american music conference and space world tour. ‘learjet’ is a low-slung groover complete with organic samples, bass guitar licks and a hypnotically looped vocal sample. up first on remix duties, minus regular barem subdues the raw textures of the original to generate an understated rendition, whereas get slow founder deep mariano takes it down a percussive route where an infectious rhythm is accompanied by dub inspired synths. finally, ‘calling again’ is a sensual deep house cut featuring the vocals of sophie taylor, known for her collaboration with mathias kaden, among many others.

infamous for his part in glasgow’s dj duo optimo and the production partnership naum gabo (speicher / kompakt extra), j.g. wilkes is an esteemed music producer with a catalogue that has been building since the turn of the century. the ‘jaxon’ ep is j.g. wilkes’ first widely available solo 12” release containing four exquisite cuts exploring the ethereal boundaries of electronica. taken from a limited edition mini album box set entitled ‘german pizza party’ (vf111), j.g. wilkes’ ‘jaxon’ is the only track from that collection aimed anywhere near a dancefloor, in which rich and potent rhythms collide with foreboding frequencies. cologne’s barnt isn’t afraid to let the elegance of space and chaos into his heartfelt rework, solidly cementing the koln-glasgow freundschaft. the ep features two further productions from wilkes, the melancholic, beatless and occasionally ruthless ‘bathing beauty’ in its original form and ‘useful tool’, given a turbulent rework by naum gabo.

ltd nice price, last copies left... m for music and m for moguai. he has been a leading figure in the electronic music scene for more than a decade, setting new standards in production. no introduction is needed for ramon zenker, after having released already successful cuts with their own mark ,now this great new combination. on the two originals diamond back and ray we received 3 such great remixes, that nobody wants to miss one of them on the vinyl. we present here part 1 of a two vinyl set, containing andrea doria and pierce remixes

ltd nice price , last copies...
paper heart is the march 12x12 from jesse rose, containing two collaborations: one with la bad-man thee mike b and another with none other than oliver $ himself. a made for the night edit of shuffle the paper to square things off, 12x12 003 is full of the fruition of friendship.

peckham based ears have eyes records are pleased to announce their third release, which will be arriving in late november on wax. bringing together two artists, both close friends of the label, on the a side we have the master of dubby house music chocky whose past productions have been showcased on city fly, big bait and flumo among others.

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

two raw extended trips from the mind of stl in a rare foray beyond his self-run something imprint. stephan laubner applies his usual auteur principles to these groove experiments, whose sounds circle round each other cagily, rough meeting smooth, organic meeting synthetic, all combining in a propulsive form thats classic stl. shifty hats on * crank notion* provide an insistent shuffle through which nauseous pads plot a dissonant course. * neat buzzl* is a grimier excursion in the undergrowth, little creatures scurrying left and right while the kick maintains its forward stomp. join stl and assemble music in these off-map excursions and see where you emerge.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades. showcasing a wide selection of new and classic records ranging from as far back as 1992 (secret knowledge - sugar daddy) and 1993 (nicole - a small entrance to a large spectrum and laurent garnier - acid eiffel) digweeds latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in march of this year.

the 5th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists, 3 moody tracks full of deepness by rhythm&soul, label manager of slow town records, and on a mission records along with jef k … it comes with a remix of two diggers !

this next release on konstruktiv is the super special vinyl version of the *vremya versions ep* and it contains two rolando and two unbalance remixes.
this record was played and supported by: laurent garnier, truncate, dj deep, ben sims, jonas kopp, matrixxman, marcel dettmann, slam, dj rolando, dvs1, ed davenport, mr g, boddika, setaoc mass, oliver deutschmann, lo shea, dj spider, baikal, brendon moeller, groove, dj mag, thump, xlr8r, wicked style, ibiza voice and many others.

first antrakt shoot by amazing kjofol with two great remixes by voigmann & zots. vinyl only. limited 500 copies, no repress

nice price deal !!! hypnotic lines and machine made sounds and noises are what to expect by petter b on this 8th release on bond. all four tracks were made during one weekend with a simplistic setup. its straight forward techno with sparse arrangement, focusing on the experience of how a melody or a sound can come alive on a dancefloor when played right. the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is music by djs for djs. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

two and a half minutes of drums rolling under a whirlwind of cranky guitars and vocals arguing from the bottom of a 1990’s boom box, that’s 51 black super. 11 tracks and 30 minutes to cross the usa, from california with pavement and weezer to ohio with guided by voices and the raspberries. 51 black super isnt a band to get lost on its way, or in futilities. written, composed, recorded in an emergency, with short and intense sessions, the debut album by 51 black super is made in the image of its creators: spontaneous and eager to get things out there. sounds like the strokes with less cocaine and more facial hair, said a californian rock critic after listening the two first few tracks.

with the two fellows enrico sangiuliano & frankyeffe from italy gregor tresher again proves his talent to discover great new artists for his label break new soil. enrico s releases on drumcode and secret cinema s gem records and franky s tracks for flash and trapez were already high quality documentations of their exceptional studio skills but combining forces pushed their output to another level. peaktime techno at its best.

great techno release with inigo kennedy rmx & headless horseman the past years have seen yacoub chakarji and irakli kiziria exploring vast range of different directions spanning from deeper tracks to more utilitarian music, but always with originality. this time the berlin duo return on the label fracture with a playfully mental cut that gets remix treatment from two of the most interesting techno artists in recent times. termination hits a striking balance between functionality and an almost deviant quality. in the hands of inigo kennedy it becomes splendid atmospheric techno, while headless horseman makes it more explosive and sinister for his first time on remix duty. music for the more daring selectors out there

kindred phenomena marks mattheis debut album. after two cosmic eps on nous klaer and a mini-album on tape for ecstatic recordings, he now returns to nous klaer for his first full story. an album shaped for every occasion: driving from the city to the island, dancing in the living room, or raving at sunset. on kindred phenomena mattheis picks up where he left off: swell serves as another episode of the prisms, the modular synth excursion of bit fragments pushes his arpeggiator solos a step further, and album standout ben_m provides his most beautiful dance of melodies yet. the album consists of eight tracks and comes as a double 12 inch for deejay convenience, and for the ultimate experience: go see mattheis perform his album live on the road.

after a long time, rhadow and ntfo finally met in the studio again to work on the next edition of sintope s slagare series. but not just another regular session... the romanians went fully analogue for a couple of days without phones and computers - just drum machines and instruments. the result is slagare vol. 5 and comes with two tracks in a very limited vinyl only edition of just 300 copies. so better be quick.

for moon harbour s next top tech house trick they invite studio and dance floor wizard marco faraone to serve up two great originals and then have santé and mathias kaden remix them to perfection.

driven by analog machines, and with the italian artist s typically dark and gritty stamp on it, the ep is a masterclass in functional, club-focused minimalism, splatterings of acid run wild atop drum-machine rhythms and coarse, swirling pads. idga s two originals, -no pictures- and -no glitter,- land backed by a remix from lucretio of the analog cops, who twists the deep textures of -no glitter- into a slamming slab of raw analog house.

his career began in the mid 90s as part of 1st down, which consisted of phat kat on vocals and jay dee on production. the group was short lived however, possibly because of insufficient support/promotion from their label, payday, but the two continued to collaborate on many occasions afterwards, starting with an appearance on fat cat song and its remix, from slum villages fan tas-tic (vol. 1).

club trax, is an anonymous series of records created by djs and intended exclusively for djs. pressed in a limited amount, club trax is available on vinyl only. with strong roots and knowledge, club trax presents a fine mixture in upfront house, bringing together future classics with reworks of titles that have influenced the development of upfront house music through the last generation. for this fourth installment, we are dealing with two completely fresh club trax reworks of an all time 80s classic that has brought thousands together and forever.

uk house veteran phil asher arrives on rekids with the latest project in his storied career, a collaboration with emergent london poet & musician james massiah. having chanced upon him a performance during a fiona bevan presents night at dalstons servants jazz quarters, asher immediately approached massiah about a possible collaboration: as soon as i heard james i knew i had to work with him. his poetry is infectious, textured & interesting. time & space took years to imagine but 25 minutes to write. it took james approximately the same amount of time to lay his poem down. asher approached matt edwards with the results, and the time & space ep was confirmed for release on rekids: two original cuts of futuristic house emboldened by massiahs electrifying street poetry, and a reprise version of the title track which steps away from the dancefloor to bring the lyrical content into sharper focus

ian blevins is from england but hes quite the dude. this is his first offering for the esp institute. on side a, meet the happy beast named hannibal, a big room tune that ticks every box your heart may desire bone dry drum production, atmospheric arpeggios, soaring strings and pads, a beautifully sweeping bass progression and an overall sense of euphoria goosebumps guaranteed. on side b, welcome aunt poly cools us down a little bit stripping back the instrumentation, minimizing any superfluous effects, and layering a sparse bassline and droning synths over a laidback 808 all to a relaxed tempo. blevins debut proves that from the right point of view, familiar elements and motifs can take on a new life whilst reminding us just how the rave can feel. these two songs will increase your serotonin levels.

following the release of the ‘extraction’ and ‘hydraulic pressure’ 12”s earlier this year, adventice – the incendiary collaboration between dj deep and roman poncet, returns to tresor. while taking the groove up quite a few notches, and as per its two predecessors, ‘exsurgence’ unfolds in three different versions around a common theme.
the ‘main mix’ opens into hammering chords yet taking a delicate turn into an synth-heavy refrain. on the flip, the ‘reduced mix’ follows the same composition while playful and cinematic as the use of hihats add a skip to your step and pick up the pace. the ‘percussive mix’ and its rapid drum patterns, exude a fragrance of vocals triggering endless soundscapes.
with this new three track single, dj deep and roman poncet deliver a fierce package, another warning for what is still to come for the duo.

bad animal animal is a label devoted to underground house and techno with an approach that welcomes experimentation but never loses sight of the dancefloor. set up by alland byallo and kenneth scott it has already released music from influential producers including smash tv, xosar, mosca, dop and varoslav along with many others. now on its tenth release, label boss kenneth scott scott marks his second appearance on the label with this new ep consisting of two tracks. one original track entitled if the rain stops these ruthless acts plus a remix from benedikt frey.

mana all nite is another imprint of dj duo manamana. next to their artist focused label kann they are going to establish a new vinyl platform. mana#2 comes from leipzig based perm and new orleans located spirituals - two pretty outstanding producers, who serve three different hypnotic vodoo-house bangers. read the not included package insert: best use to energize the dance floor!

phonica white returns with two extended cuts from their mainstay artist iori. monsoon & rainfall mark ioris 5th contribution to the label and it may be his best yet. monsoon on the a-side is a deeply hypnotizing piece of dub techno thats destined to cause dance floor destruction. steady kicks & toms open the track up before a relentless downpour of intricate percussion and low-end stabs lock you in for the track’s 10 minute duration definitely one for the long nights in dark rooms. the b-side is a calming contrast to the a side storm. deep and meditative, rainfall comprises sparse modulating synth keys coupled with a bouncy rhythm section and airy spaced-out sound effects that create a dreamy atmosphere. this is iori on top form.

these 4 tracks bring pieces of emotions and take you all the way to sao paulo, brazil. davis, a pillar in the brazilian housemusic scene is know for marathon dj sets. these tracks are written with two-fold intention, both an invitation to connect within and an opportunity to escape.

young marco delivers a compilation of his own remixes to inaugurate his new label, safe trip. featured are his versions of tracks by francis bebey, hnny, michael ozone, the recently released vangelis katsoulis remix and a couple of as yet unreleased remixes of jacco gardner and zulu pearls. few have developed as distinctive an identity as quickly as young marco. in two years, the dutch vinyl obsessive has shot from relative obscurity to global notoriety, building his name through brilliant, vastly wide reaching dj sets and optimistic, rhythm-obsessed, simplistic but-detailed production

adam beyers drumcode imprint welcomes waff to its roster with two thudding techno tracks.

the two track evolutions ep sees enzo siragusa and alexkid each give us their own personal take on the infamous kilimanjaro sound. label head enzo once again fuses his junglist past with sleek tech beats on the a side in the form of desire skippy percussion imbuing the track with a real sense of funk before a monster 90s style b-line cuts through the mix to really nail the floor.
alexkid steps up with his trademark dubby style on the flipside with wear your cape, razor sharp percussion and a cavernous bass taking the track to deliciously lofty heights. both tracks are logical progressions from the notorious kilimanjaro sound they pioneered.